Land is Home
Current exhibition: Stories from the Yethka
Oct. 13, 2022 - Jan. 15, 2023
The fall exhibition of The Land is Home project at the Inglewood Bird Sanctuary Nature Centre features four original artworks by Stoney Nakoda artist Gordon Wesley. The exhibition is titled Stories from the Yethka and includes three oil paintings and one illustration that capture the artist’s interpretation of the scenery and wildlife of the Rocky mountains.
Gordon Wesley, Stoney Nakoda First Nation
Gordon Wesley is a proud Nakoda Stoney artist from the Bighorn Reserve. As a child he loved to be outdoors and monitor the animals that inhabit his local geography. He became curious about them and enjoyed their natural beauty.
Living a quiet life in the mountains, Gordon is devoted to his craft. He expertly captures the spirit of nature and passionately translates its essence to canvas.
Exhibition address & hours
Entry to the Inglewood Bird Sanctuary and Nature Centre is free.
Open Mon - Sun 10 – 4 until Nov 30
Open Wed - Sun 10 – 4 from Dec 1 to May 1
Closed for Statutory holidays Oct 10 and Nov 11
Closed for winter break: Dec 23 – 28, and Jan 1
July 11 – Sept. 29, 2022
Hali Heavy Shield, Kainai First Nation
Hali Heavy Shield is a multidisciplinary artist, educator, and member of the Blood Tribe (Kainai) of southern Alberta. Hali’s work is influenced by experiences in her home community, including Blackfoot storytelling, land-based teachings, and womxn as sources of strength and goodness. She is a recipient of the YWCA’s Women of Distinction Award and is a co-founding member of the Kainai Public Library, the first public library on a First Nation reserve in Alberta. Her work includes public art at the Lethbridge’s Westside Firehall #5 and YQL airport, and Calgary’s Saddletowne Public Library. Artist exhibits include the Art Gallery of Alberta 2020 Biennial BorderLine, Calgary’s C-Space, +15 Windows Gallery, and a poetry publication at the Southern Alberta Art Gallery. Hali is currently a PhD candidate researching visual art and storytelling at the University of Lethbridge.
"These works reference the iconic buffalo/bison that are slowly being reintroduced to the Blood reserve, Waterton, and Banff areas (Treaty 7 Territory).
The buffalo were not only a food source for Blackfoot people, but also depended upon for hides, bone, and sinew that womxn prepared for both regalia and ceremony.
Traditional colours are used that show the beautiful and familiar landscapes of the southwest prairies. Further, symbolism that relate to Siksikaitsitapi are also embedded in the artwork to communicate the interrelatedness of land, art, and Indigenous lifeways".
Zoe Buckskin, Treaty 7, Blood Reserve
Oki, my name is Zoe Buckskin and I am a 24 year old Aboriginal Artist from the Treaty 7, Blood Reserve. I am currently living in Lac La Biche where I recently completed my diploma for Artisan Entrepreneur Program at the Portage College. My artwork consists of my relationship with the land, organic shapes, and the artifactual-like artwork. I prefer to use traditional patterns, colors, material and techniques influenced by Blackfoot artifacts. I am a skilled artist and I make multiple different forms of traditional and modern artwork including painting, sewing, quill work and more.
Views - Acrylic on Canvas (24” x 36”), Mar. 9, 2019
"The Rocky Mountains of Southern Alberta are the views from the Blood Tribe reserve reminding me of home. The acrylic painting reflects the mountain like patterns along with the traditional colors used in Blackfoot ceremonies. Representing my connection to both spirituality and the land."
Divine Feminine - Watercolor medium (11" x 14"), Feb. 4, 2022
"This piece represents the healing and revitalization of the divine feminine within society and our collective experiences. Through the evolution of the past year and the ease that covid has allowed for us to slow down and heal inward our feminine energies that each of us carries."
Home - Welded Scrap metal sculpture (4.8' x 3'), 2020
"The sculpture uses organic mountain-like shapes, tipis, moon and sun, inspired by the Sundance Ceremony practiced on the Blood Tribe reserve. The physical aspects of the sculpture reflected on both the top and bottom of the sculpture represents the duality of my personal life experiences. Images, patterns and designs depict my relationship with the land and my home seen in southern Alberta."
Kelsey Twoyoungmen, Stoney Nakoda First Nations
April 10 – July 10, 2022
Henry Heavyshield, Kainai First Nation
Henry Heavyshield is a Blackfoot (Kainai) writer currently living in northern Alberta.
He completed his undergraduate degree (B.A. English/ Indigenous Literatures) at the University of Lethbridge, and he attended graduate studies at The University of British Columbia.
His work has appeared in Joyland, C Magazine, Kimiwan Zine as well as in an anthology of Indigenous writing with Annick Press. When he isn’t reading, writing, or tending to guinea pigs you can usually catch him on his bike or skateboard. He would like to thank the generosity and support of his family. Kitsikakommim (I love you).
“In Pablo Neruda’s Ode to the Dictionary, the poet writes 'I am of the earth and with words I sing.' I have taken this line as an inspiration or jump-off point for the poems in this selection. Passerine, titled after the order of songbirds, is both a means of honouring the animals that call Inglewood Bird Sanctuary home, as well as an exploration of the connections between song and place/land.
While some of the poems and their imagery are explicitly about birds, Spring Thaw and Flight for instance, the guiding theme linking these poems is the land as a source of voice or as a source of song. My work, in this selection and beyond, explores the connections between stories and the place(s) they are born from.
I believe that anywhere we go we will find its narratives are a feature of the landscape. The poems included in this selection use song to celebrate family and love, such as N or Houses Made of Pollen; they are songs of mourning and longing, such as For John or Flight; they are also protest songs against our treatment of the environment or colonialism’s short-term memory, as in Spring Thaw or Before the Colonel. Passerine is my small attempt to map the geography of a place through voice and through song.”
Tara Manyfingers, Kainai First Nation
Tara Manyfingers was born in Cardston but grew up in Calgary.
In 2014 she began a post-secondary journey that began in Edmonton's MacEwan University Theater Production program, which allowed her part-time work in concert and opera. From 2016 to 2019 she gained a BFA at the University of Alberta, with a major in print media production.
In 2020 she began the MFA program here at the University of Calgary and her art production ranges from sculpture, beadwork, wardrobe, and regalia construction to print media processes, such as the silkscreen compositions shown here today.
Currently, Tara's work revolves around water and wildlife preservation and advocates for sustainable ecologically balanced practices. She remains a valued employee within the IATSE union in Alberta.
“My name is Tara Manyfingers, born in Cardston and I grew up in Calgary. I am currently a multimedia artist and Masters of Fine Arts student at the University of Calgary. This work was completed in 2018 from a collection of photos. It is summertime and I am perched over my mother’s kitchen sink, ever so slowly sipping my coffee, trying to be very still. It is six o-clock in the morning before anyone in the household has woken up. I am here in the hopes of catching a brief glimpse of magnificence that the hummingbird effortlessly exudes.
Silkscreen requires photo negative exposures onto the screen, and CMYK is a division of the color spectrum into cyan, magenta, yellow and black. First I used distortion photoshop techniques to make the hummingbirds all look more painterly. Then, just like the inside of certain color printers, I split the images into four layers each. The first two images, I blocked out the entire skyline, in order to swipe my own color mixed sunset. What you see here is a collection of the most successful prints of this 2018 series.”